Tatsuya Ouchi
Video
-
video fileCinematography Showreel-Tatsuya Ouchi
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2017 |
Camera Operator
Performing Arts |
Music Live Xotic Video |
|
2017 |
Camera PA/Grip
Film |
Marmeids Jianna Maarten / American Film Institute |
|
2017 |
Grip
Film |
Good People Gregory Kohn / American Film Institute |
|
2017 |
1st AC
Film |
It's Complicated Ian Cuizon / Off Color Media |
|
2017 |
1st AC
Film |
LAYLA Heui Song Son / American Film Institute |
|
2017 |
2nd AC
Film |
Blessing Cara Lawson / American Film Institute |
|
2017 |
1st AC
Film |
False Adam Rosenthal / Squint Productions |
|
2016 |
Cinematographer
Film |
Osmosis Azim Shahriar / Red Shadow Production |
|
2016 |
2nd AC
Film |
Neemkomok Douglas Cushnie / American Film Institute |
|
2016 |
Key Grip
Film |
The Dating Game American Film Institute |
|
2016 |
Camera Operator
Commercials & Industrials |
Xotic Video Yoshida Productions |
|
2016 |
Grip
Film |
Hold Me Alice Fu / New York Film Academy |
|
2016 |
2nd AC
Film |
Deus Deceptor Dereck Magyar / American Film Institute |
|
2016 |
2nd AC
Film |
Wonder Buffalo Christine Berg / USC School of Cinematic Arts |
|
2016 |
Grip
Film |
GLORIOSA Cristal Nitzsche / American Film Institute |
|
2016 |
Grip
Film |
The Perfect Dinner Jorge S. Pallas / American Film Institute |
|
2016 |
2nd AC
Film |
Wendy Michael Oshins / American Film Institute |
|
2016 |
1st AC
Commercials & Industrials |
Libec Taro Yoshida / Yoshida Productions |
|
2016 |
1st AC
Film |
This is My Year Jamie Brindle / Indie Film |
|
2016 |
2nd AC
Film |
Aim Dorian Tocker / American Film Institute |
|
2016 |
Best Boy Grip
Film |
Burning Sands Greard Mcmurray / Netflix |
|
2016 |
Dolly Grip
Film |
(Out)Caste Shilpi Agrawal / American Film Institute |
|
2016 |
Camera Operator
Commercials & Industrials |
Libec Yoshida Productions |
|
2016 |
Key Grip
Film |
Mark Chung Protects His Address Michael Chan / American Film Institute |
|
2016 |
2nd AC
Film |
Millennial Alex Harris / Shake The Sky Entertainment |
|
2016 |
Key Grip
Film |
GOOK Justin Chon / Birthday Soup Films |
|
2016 |
Grip
Film |
Scarlett Angelina Lorette Bayle / Directing Workshop for Women |
|
2016 |
2nd AC
Film |
Minor Difference Daniel Abatan / American Film Institute |
|
2016 |
Grip
Film |
Chipped Joey Ally / Directing Workshop for Women |
|
2016 |
Grip
Film |
Fresh & Blood Camilo Collazos / American Film Institute |
|
2016 |
Grip
Film |
Forever & Aleways Windy Yang / GO Media & Film Productions |
|
2016 |
2nd AC
Film |
Samantha Becoming Courtney Pape / SAG-AFTRA |
|
2016 |
Director/Cinematographer
Film |
THE BETRAYER Tatsuya Ouchi |
|
2016 |
Gaffer
Film |
CHIMERA Alex Harris / Shake The Sky Entertainment |
|
2016 |
Camera PA/Grip
Film |
The Billboard Queen Jianna Maaten / American Film Institute |
|
2016 |
G/E
Film |
Trouble Man Jackson Young / American Film Institute |
|
2016 |
G/E
Film |
Reach Meredith Koch / American Film Institute |
|
2016 |
Cinematographer
Film |
The Guilty Tatsuya Ouchi |
|
2016 |
2nd AC
Film |
Leo Johnson Evan Bluestein / American Film Institute |
|
2016 |
2nd AC
Film |
Phone It In Youwen Ma / American Film Institute |
|
2016 |
G/E
Film |
Teddy Bear Unite Mohammed Karawia / New York Film Academy |
|
2016 |
2nd AC
Film |
Rocks Feng-l Fiona Roan / American Film Institute |
|
2016 |
2nd AC/Grip
Film |
Valetudinarian Stephen Ohl / American Film Institute |
|
2016 |
G/E
Film |
Satisfaction Guaranteed Yue Ma / American Film Institute |
|
2016 |
G/E
Film |
The First Stone Kai Towns / American Film Institute |
|
2016 |
Key Grip
Film |
Living In A Lightbox Michael Oshins / American Film Institute |
|
2016 |
G/E
Film |
AMERICAN EATS, IT'S YOUNG Dubois Ashong / American Film Institute |
|
2016 |
2nd AC
Film |
Fortune Favors Douglas Cushnie / American Film Institute |
|
2016 |
2nd AC
Film |
Onoda's War Shiyu Lu / American Film Institute |
|
2016 |
G/E
Film |
Mercy Jill Sachs / American Film Institute |
|
2016 |
G/E
Film |
LOVE TRAFFICKING Andres Solozarno / American Film Institute |
|
2016 |
G/E
Film |
And Baby Makes Three Jianna Maaten / American Film Institute |
|
2016 |
Cinematographer/1st AC
Film |
Angel Bullet Benji Stinson / Indigo893 |
|
2015 |
Camera Operator
Television |
Angela Aki Benefit Concert in LA Aurora Foundation |
|
2015 |
1st AC
Film |
TIOS Jack Caswell / Eulalia Saucedo |
|
2015 |
G/E
Film |
35 MOS Project Director of Photography: Kaushal Shah / American Film Institute |
|
2015 |
G/E
Film |
35 MOS Project Director of Photography: Mark Rodrigo Jeevaratnam / American Film Institute |
|
2015 |
G/E
Film |
The Mighty Hope - 35 MOS Project Director of Photography: Pallavi Reddy / American Film Institute |
|
2015 |
2nd AC
Film |
And We're Out of Time Jake Yuzna / American Film Institute |
|
2015 |
G/E
Film |
Trespassers Derek Magyar / American Film Institute |
|
2015 |
G/E
Film |
Ghost Star Jianna Maaten / American Film Institute |
|
2015 |
G/E
Film |
Shabbat Dan Bronfeld / American Film Institute |
|
2015 |
G/E
Film |
ASPHALNINE SAPPHIRE Douglas Cushnie / American Film Institute |
|
2015 |
Camera PA
Film |
The Journey Bo-You Niou / American Film Institute |
|
2015 |
1st AC
Film |
Beat Aaron Bush / University of Southern California |
|
2015 |
2nd AC
Film |
Perfect World Yusuke Fukada / University of Southern California |
|
2015 |
G/E
Film |
Ice Box Daniel Sawka / American Film Institute |
|
2015 |
G/E
Film |
Shun Lavi Hu / American Film Institute |
|
2015 |
1st AC
Film |
The Halo Andrea Puig / University of Southern California |
|
2015 |
G/E
Film |
Losing It Nathaniel Katzman / American Film Institute |
|
2015 |
G/E
Film |
The Flesh of My Lovers Joshua Giuliano / American Film Institute |
|
2014 |
Prep Technician
Event |
TOHOKU SHINSHA OMNIBUS JAPAN |
Education
Year | Qualification | Where |
---|---|---|
2017 | Cinematography | Los Angeles City College |
2015 | Intensive English as a Second Language Program | English Language Academy at Los Angeles City College |
2013 | Cinematography Major | Nihon University College of Art |
Equipment
My Equipment/Kit:
I can use:
About me
Tatsuya Ouchi is Japanese cinematographer based in Los Angeles. After graduating from Nihon University College Of Art in 2013, he moved to Los Angeles and started to work in different independent projects. Within a very short living time in Los Angeles Tatsuya worked around 70 productions in various positions in the camera department. Tatsuya received a good number of awards and nominations for his work in cinematography and photography. In 2013 Tatsuya received the second prize from Mito Short Film Festival, Japan.Additional information:
・ARRI FLEX 435, ARRI FLEX 16ST/16SR series, ALEXA XT/Classic, ALEXA mini, Amira
・PANAVISION XL2, PANAVISION Genesis
・C300 Mark II, CANON XH-A1, CANON EOS 60D/7D/5D Mark II&III
・PANASONIC AJ-HDC27F, PANASONIC AG-AF105
・SONY F900, SONY FS700, SONY F3, SONY F5/F55, Sony A7s II, SONY FS7
・RED ONE, RED EPIC, RED DRAGON, RED WEAPON
・Black magic Cinema Camera 2.5K/4K, Black magic URSA Mini Pro
・Krasnogorsk K-3Languages
Japanese(Native), English
Skills
Secondary Job Title | DIT / Data Wrangler |
---|---|
Job Titles | Camera Operator, DIT / Data Wrangler, Camera Supervisor, Camera Assistant, Key Grip |
Years in industry | 6+ years |